Storybook Forest

March 25th, 2015 § 2,632 comments § permalink

Arthur Rackham is my first favourite illustrator. The flora in his drawings have an elegant wildness while his lines and compositions bring you to a land where trees and waves bow to your emotional state. I thought I would use my inks and try out his technique and composition from one of his Midsummer Night’s Dream pieces.

Christie Lau sunset forest arthur rackham_blog_cl

 

 

-Christie

TUSSLE MAGAZINE

March 24th, 2015 § 2,076 comments § permalink

Happy News! Tussle Magazine is a stunning online magazine featuring in depth interviews with artists, curators, designers and photographers they believe are unique and represent Toronto art. I am honoured to be next to some exciting and beautiful artists in an interview with one of their talented writers, Judy Zhong!

Christie Lau_Tussle Magazine_blog_cl

 

To be forwarded to the article, click the image! The group show HUMAN // NATURE is still on exhibit until April 4th at Navillus Gallery.

 

Hugs,

Christie

Coo Coo

February 25th, 2015 § 818 comments § permalink

Sometimes when I see a sad and bullied pigeon I think about his or her dinosaur ancestors and the Simpsons episode (Treehouse of Horror V) where Homer accidentally makes a time machine out of his toaster. He repeatedly disturbs the past and causes chain reactions which snowball into strange realities where humans have evolved into different forms. After much trial and error,  he finally arrives at a present where humans are normal except they have lizard like tongues. So sometimes I imagine the sad pigeon is living in a catastrophic present.

The Simpsons storyline is based on a short story published in 1952 called “A Sound of Thunder” written by Ray Bradbury. In the future, Time Safari Inc. offers time traveling safaris to the late Cretaceous Era so that patrons can hunt dinosaurs. What a juicy plot!

-Christie

HUMAN // NATURE

February 21st, 2015 § 1,686 comments § permalink

The beautiful Navillus Gallery will be having a group exhibition for artists who work with one of my favourite themes… the natural world!

The exhibit includes pieces from friends such as Ian Busher and Daniel St-Amant as well as new friends: Tongson Chen, Peter Fischer, Julianne Gladstone, Phillipe Jacquet, Philip Sybal and Tony Taylor. Please join us for the opening on March 5th, from 6-8pm at Navillus Gallery (11o Davenport Road).

Click here for the facebook event!

-Christie

Galaxy

June 17th, 2014 § 2,708 comments § permalink

-Christie

Jessica’s Swan

June 10th, 2014 § 905 comments § permalink

-Christie

BSS Connect!

April 30th, 2014 § 2,015 comments § permalink

Lifelong friendships begin in the halls of my high school, Bishop Strachan School. So many of my past classmates still amaze me with their wisdom, leadership and innovation in their fields. In addition to giving me the opportunity to be surrounded with so many admirable girls, BSS pushed me to be well rounded while giving me the space to be creative. A substantial proportion of my work ethic, how I express myself and my friends come from my roots at 298 Lonsdale Road. This is why I am so completely honoured to give an artist talk with Taylor Sullivan at the second BSS Alumnae Mentorship Program reception in the lovely Navillus Gallery.

BSS Connect! is the school’s mentorship programme, connecting Old Girls with one another so that we can achieve our biggest goals.

-Christie

Black Cat

April 14th, 2014 § 1,405 comments § permalink

Opening Reception for “Endlings” at Navillus Gallery, 110 Davenport Road, is from 6-8pm, April 17th. The exhibition will run until May 22!

-Christie

An Endling named Benjamin

April 14th, 2014 § 3,247 comments § permalink

An endling is the last living individual animal of a species.

Human activity has caused many animal extinctions, and all we have left of these lost species are skeletons and broken up DNA. Today, however, scientists are discussing the moral and logistical reasons for resurrecting extinct species by using DNA information from museum specimens and advancements in genomic technology. This has inspired a range of visceral reactions, such as adult horror and childlike wonder. Animal resurrection is a unique and contemporary question we are facing- humans, the most intelligent species on earth, have the hard-earned power to make right what we have done wrong, and we are considering it now because we can feel regret and honour in our hearts.

When I was in Paris last summer, I visited the Museum of Evolution and saw a small exhibit about fluorite crystals. Fluorite crystals come in a wide range of colours, but when exposed to light they all gradually succumb to the UV radiation and turn clear, losing their bright colour. When an organism dies, one of the first things to disappear is also its colour, although colour pattern might still be preserved. It made me think of crystals living secret pure lives in hidden and fragile colours.

Around this time, I was reading a book by Linda Kalof, called “Looking at Animals in Human History”, which details a repetitive story of humans interpreting animals by anthropomorphizing them and using them as creatures of information rather than communication. When animals are exposed to humans, they gradually lose their ephemeral essence and way of life. I saw colourless crystal structures as a metaphor for our museum of skeletons and fragmented DNA- a basic blueprint of form but emptied of life.

In my new series, I grow crystals on a mirror and subsequently paint a thin portrait of an endling in greyscale. Although the animal is without colour, the viewer infuses his her own in the reflection of the mirror, breathing artificial life to the endling. The viewer can choose to focus vision on the animal itself, or on him or herself. You can see yourself in the mirror in the eyes of the endling, or you can look at the animal as its own being. This is Benjamin:

One of the candidates for de-extinction is the thylacine, a marsupial carnivore native to Tasmania. After occurrences of sheep attacks on the first European settlements, the Van Diemen’s Land Company and later the Tasmanian Government offered bounties for their bodies from mid to late 1800s. By 1933, the endling of the thylacine species was captured and brought to Hobart Zoo. His name was Benjamin and he lived for three years in a small fenced enclosure. On September 7th, 1936, locked out of his sheltered sleeping enclosure and unable to survive the extreme temperatures of the heat of day and cold of night, he unceremoniously died of neglect.

-Christie

Pastels and Neon

April 5th, 2014 § 2,506 comments § permalink

Pinky

A new piece for a new show at Navillus Gallery!

-Christie